ha - yeah))) For me, the main one is the best, Lena.
N_g, thanks, Anya! That's why it's the main one ;) There's another one from the same place, but it's a bit of a different story, and I'm not sure anyone else will be interested in it... but I'll risk showing it )
N_g, thanks, Anya! ) That's why it's the main one ;) There's another one from the same place, but it's a bit of a different story, and it's not guaranteed to be interesting to anyone else besides me... but I'll risk showing it )
8ele8, a diagonal line through the prohibition of something there - and the arm is also bent. I like it too.
The main red car was delivered as an extra. I also liked the second one attached... the last one seems pretty good too, but it's a bit small. )) I'm downloading it right now, according to the email.
8ele8, the diagonal crossing of the prohibition of something there – and the arm is also bent. I like it too.
N_g, I'm glad you find it interesting
The main part is good! I like it!!!
Svetlana Likhanova, thank you so much! )
Oh, how interesting it turned out – even with one foot!) For the main part.
Olga Dan 444, thanks ) By the way, about which foot you step with, you can still fall into an illusion here ) Like here, which direction is the ballerina spinning? ;)
The main red car was a real bonus. I also liked the second one attached... the last one seems pretty good too, but it's a bit too short-)) I'm downloading it right now, according to the email-)))
So simple, it's good you noticed. The car also brought me joy with its color and shape, perfectly complementing the picture, although I admit I only noticed it after shooting the finished frame. In the last one, yes, I should have captured the entire green lady, I just can't always think of it quickly on the spot. %) Happy downloading and listening, hehe.
Olga Dan 444, thanks ) By the way, about which foot you step on, you can still fall into an illusion here ) Like here, which way does the ballerina spin? ;)
8ele8, ) Now I'm completely confused, who starts on which foot and in which direction!!!)))) I was so sure that they both started on the left!!!))) Sometimes, our intuition and our brain computer decide everything correctly for us, but when you start thinking about it and doubting it, that's when all sorts of paradoxes await us!!!)
Vlad (ytrewq), it won't change anything in black and white, but I'd cut off a section on the left down to the store.
Captain, it will. That red one on the wall will become the shadow of that person. At least there will be some connection. But it doesn't work out that way, in my opinion. Cutting off the left is pointless; it won't make things any better or worse. You need space on the right. Or maybe that person should have been removed earlier, but he's gone so far. There's no harmony, just self-indulgence. All in my humble opinion.
I think there needs to be more space on the right in black and white.
Vlad (ytrewq), thanks, but ) you can't move it further to the right, I cropped out the sausage ad there on purpose And in black and white? I couldn't even think of moving it here, because the emphasis is on red, and then a car of the right color drove into it... I just can't )
Vlad (ytrewq), it won't change anything in essence in black and white, but I would cut off a piece on the left down to the store.
Captain, I left the piece on the left because I already wrote somewhere that the "scenery" is also important to me. I liked the geometry of the arch, plus I also liked the play of light and shadow (although, rather, only I can see it)) - the left "window" with warm tones, the right one with cold ones, and everywhere they are filled with branches)
Or maybe this guy should have been photographed earlier, but he's gone so far. There's no harmony, just self-indulgence.
All in my humble opinion.
Vlad (ytrewq), earlier—the pose is different, it doesn't look right, the shot was immediately ruined.
And I don't want to do the shadow thing, it'll be different. It's not a shadow, but... a teasing, drawn figure walking behind... I think that's exactly how this shot was perceived by those who smiled.
Zuschnitt anzeigen I'll explain why later... if the author is interested. P.S. I would shoot this with an action wide-angle lens and a remote control, positioning it on the concrete somewhere around here Zuschnitt anzeigen, and would capture the "passer" through the wall (in the "landing" phase)... but here it's just a "shadow."
Cropping option I'll explain why later... if the author is interested. P.S. I would shoot this with an action wide-angle lens and a remote control, placing it on concrete somewhere around here. Cropping option, and I would capture the "passer" through the wall (in the "landing" phase)... but here it's just a "shadow."
Koljada, interesting. Regarding the framing, I can try to guess why exactly this is. By cropping the left side, we remove unnecessary distraction from the highlights. By cropping the bottom, we achieve "top-bottom" symmetry. Regarding the "P.S.", to be honest, I don't quite understand...
Koljada, interesting. Regarding the cropping, I can try to guess why exactly this is. By cutting off the left part, we remove unnecessary distraction from the highlights. By cutting off the bottom, we achieve "top-bottom" symmetry. Regarding the "P.S.", to be honest, I don't quite understand...
8ele8, in the evening. - I don't have time for a lot of words right now.
8ele8, I wouldn't touch anything, but that's just me - I'm not experienced enough-)) I've listened to it several times already - I even wrote something)))
8ele8, I wouldn't touch anything, but that's just me - I'm not experienced enough-)) I've listened to it several times already - I even wrote something)))
so simple, I caught the email) I'll reply a little later, otherwise I'm a bit of a workaholic here ))) By the way, I also have trouble with being experienced, although I can't even say for sure which is better: rewatching a ton of stuff, filling your head with a sea of information, and then, after all this clogged up head, you never know what creative stuff will come out... or a little less knowledge, maybe more mistakes, but the joy of the process and discovering something that someone else has already discovered long ago ) but there will be joy!
so simple, I caught the email) I'll reply a little later, otherwise I'm a work wolf here ))) By the way, I also have trouble with my visual knowledge, although I can't even say for sure which is good: rewatching a ton of stuff, filling my head with a sea of information, and then, after all this clogged up, who knows what creative stuff will come out of it all... or a little less knowledge, maybe more mistakes, but the joy of the process and discovering something that someone else has already discovered long ago ) but there will be joy! )
8ele8,
so simple, I caught the email) I'll reply a little later, otherwise I'm a bit of a workaholic here ))) By the way, I also have trouble with my visual knowledge, although I can't even say for sure what's good: rewatching a ton of stuff, filling my head with a sea of information, and then, after all this clogged up, who knows what creative stuff will come out of it all... or a little less knowledge, maybe more mistakes, but the joy of the process and discovering something that someone else has already discovered long ago ) but there will still be joy! )
8ele8, I partially agree with you about the need to look—if you look, it's the best, not all trash, but that's precisely the problem, where and what. Once a week, I receive an online photo magazine from a photo bank about the world of photography—all the latest and most relevant, and there's also a lot of information about the history of photography. If you want, I can email you a couple of the latest magazines this evening when I get home...
Once a week I receive an online photo magazine from a photo bank about the world of photography—all the latest and most relevant, and there's also a lot of information about the history of photography. If you want, I'll email you a couple of the latest magazines this evening when I get home...
Olga Dan 444, go ahead, forward them, I'll take a look. Thanks!
8ele8, I just sent the latest issue. If you receive it, let me know. Enjoy! I usually stay up until midnight...)
Olga Dan 444, thanks! I received it... I'm only letting you know now, since I don't stay up until midnight. But honestly, my habit of reading as little as possible worked here, too; there's just too much tabloid junk.
Olga Dan 444, thanks ) Got it... I'm only letting you know now, since I don't stay up until midnight ) But honestly, my habit of reading as little as possible worked here too, there's just too much tabloid stuff
8ele8, It's just that the issues are sooo different, and you don't always have to read everything - choose what's interesting, and then move on to the next topic. By the way, another issue arrived today - I haven't looked at it yet... I don't even know now whether to send it to you or not... and you can't do without the tabloid stuff these days - just pass it by.
8ele8, It's just that the issues can be sooo different and you don't always have to read everything - choose what interests you, and then move on to the next topic.) By the way, another issue came in today - I haven't looked at it yet... I don't even know now whether to send it to you or not... and without the yellow one, you can't do it now - just pass by.)
Olga Dan 444, Nope, don't send it, I'd rather go for a walk with my camera equipment ;) I prefer to look, feel, search, discover, be surprised... )
Actually, I'd really like to hear from you: - Aaaaah... yes-ahhh... I get it! P.S. For now, I'll give you the keywords: WEIGHT, CREDIBILITY, CONNECTION
For me, the main one is the best, Lena.
I'm downloading it right now, according to the email.
Svetlana Likhanova, thank you so much! )
Olga Dan 444, thanks ) By the way, about which foot you step with, you can still fall into an illusion here ) Like here, which direction is the ballerina spinning? ;)
In the last one, yes, I should have captured the entire green lady, I just can't always think of it quickly on the spot. %)
Happy downloading and listening, hehe.
All in my humble opinion.
And in black and white? I couldn't even think of moving it here, because the emphasis is on red, and then a car of the right color drove into it... I just can't )
Captain, I left the piece on the left because I already wrote somewhere that the "scenery" is also important to me. I liked the geometry of the arch, plus I also liked the play of light and shadow (although, rather, only I can see it)) - the left "window" with warm tones, the right one with cold ones, and everywhere they are filled with branches)
And I don't want to do the shadow thing, it'll be different. It's not a shadow, but... a teasing, drawn figure walking behind... I think that's exactly how this shot was perceived by those who smiled.
I'll explain why later... if the author is interested.
P.S. I would shoot this with an action wide-angle lens and a remote control, positioning it on the concrete somewhere around here Zuschnitt anzeigen, and would capture the "passer" through the wall (in the "landing" phase)... but here it's just a "shadow."
Regarding the "P.S.", to be honest, I don't quite understand...
I've listened to it several times already - I even wrote something)))
By the way, I also have trouble with being experienced, although I can't even say for sure which is better: rewatching a ton of stuff, filling your head with a sea of information, and then, after all this clogged up head, you never know what creative stuff will come out... or a little less knowledge, maybe more mistakes, but the joy of the process and discovering something that someone else has already discovered long ago ) but there will be joy!
8ele8, I partially agree with you about the need to look—if you look, it's the best, not all trash, but that's precisely the problem, where and what. Once a week, I receive an online photo magazine from a photo bank about the world of photography—all the latest and most relevant, and there's also a lot of information about the history of photography. If you want, I can email you a couple of the latest magazines this evening when I get home...
Actually, I'd really like to hear from you: - Aaaaah... yes-ahhh... I get it!
P.S. For now, I'll give you the keywords: WEIGHT, CREDIBILITY, CONNECTION