Maybe this will become a genre now?

Mostra ritaglio maybe like this?

R.Bakson, Indeed, in this version the emphasis is on the beginning of the “path”, the bike looks more powerful - Thanks for the tip!

Nice photo.

Slobodan Miladinović, Thanks for your attention!
Slobodan Miladinović, Evgeniy (EV6795), Sergey48 Thanks for the recommendations!

I don't think the author's framing is bad, but the bike shouldn't have been centered in the frame. By moving it to the edge, the central composition could have been lost... IMHO.

Serg Dav., Thanks for your attention, I can say for myself that I couldn't bring myself to remove the space and the three roads in the background (in the books I read that there should be 1 or 3 - although maybe this is a rule for PP and the main characters, and for ZP this rule cannot be extended much), but I repeat, I kept three roads as an additional association (the transition from one road of "childhood" to many - in this case, three)

Naturally.
I liked the work!

Pakhomova Nadin, Thanks for your attention! It's doubly nice to hear from a landscape artist

Maybe so?

R.Bakson, Yeah. And you shouldn't have put the salary in the blurry zone.

Wonderful picture, great title!

Interesting plot.

Alexander Zelensky, thank you for your attention.

In my opinion, the emphasis is a bit weak... Either closer to the bicycle, to emphasize its size, or, what's much stronger, add the figure of a boy,
thoughtfully looking into the distance... But these are just my fantasies.

Mikhail 57 World, I appreciate your opinion (thanks, Mikhail). Initially, I didn't have the boy pensively looking into the distance at hand ☺. Thanks to the criticism, I formed the basis of this shot later, but I should have taken it before, then there would have been fewer mistakes – the blurriness of the PP and ZP, the central location – to reflect the transition from childhood, the roads to the PP and ZP should have been the focus, and the bicycle an associative detail of childhood. It turns out that I only used 30% of the potential impact on the main idea of the photo. Alas, I admit.