Gladyshev, After stumbling across this picture of yours, I looked through your entire archive of photos on FC. And I don't regret it: many of them are simply wonderful. Thank you for posting them here on this site.
I thought it was cotton grass, it glows on its own without a monocle... I'm debating how to write it—honestly or as is customary in the scene... If it's customary—good work, not a masterpiece, but good without exaggeration—because photography is light painting, and here we have that. To be honest, the monocle hasn't been around for a while, and if you've already seen the work of Janis Gleidzs, then of course you still have a long way to go to reach a masterpiece. A brilliant photographer, he shot hands-free—using clothespins instead of wrists—but he loaded film rolls into his camera faster than those who had everything in order. And he used a cable release to release the shutter with his teeth. I just reminded you of a colleague—maybe someone didn't know he existed.
After stumbling across this picture of yours, I looked through your entire archive of photos on FC.
And I don't regret it: many of them are simply wonderful.
Thank you for posting them here on this site.
That's kind of it...
I'm debating how to write it—honestly or as is customary in the scene...
If it's customary—good work, not a masterpiece, but good without exaggeration—because photography is light painting, and here we have that.
To be honest, the monocle hasn't been around for a while, and if you've already seen the work of Janis Gleidzs, then of course you still have a long way to go to reach a masterpiece. A brilliant photographer, he shot hands-free—using clothespins instead of wrists—but he loaded film rolls into his camera faster than those who had everything in order. And he used a cable release to release the shutter with his teeth. I just reminded you of a colleague—maybe someone didn't know he existed.