The wide-angle lens killed the picture. The placement (careful placement) of objects feels unnatural.
Never Russia, well, 32 isn't that wide, and if the author chose this value within that lens range, then so be it...) What and where did it kill the image?
The frame is divided horizontally in half—luxurious flowers, pretty, textured, voluminous... and starting from the last flower and below—the last valuables from the house and the meager harvest of a lonely old woman, sold somewhere by the roadside.
The frame is divided horizontally in half—luxurious flowers, pretty, textured, voluminous... and starting from the last flower and below—the last valuables from the house and the meager harvest of a lonely old woman, sold somewhere by the roadside...
Zanzib, this is very much from a rich harvest, it's just the remains of the life-giving liquid number one that was put into use...)
The flowers are magnificent, and cosmos flowers are quite challenging to photograph. Beautifully shot and composed, with a nice sense of volume. I like the elegant inclusion of objects; they don't overshadow the beauty of the flowers, but rather enhance the story.
What and where did it kill the image?
and starting from the last flower and below—the last valuables from the house and the meager harvest of a lonely old woman, sold somewhere by the roadside.