Zanzib, Come on, you're flattering me! It's Kustodiev who's depicted in all the primers. Tell me, is the samovar from Tula or a Lend-Lease Chinese one?
Viktor Kirillov, my grandson has already finished elementary school
Zanzib, Well, you're taking on an illustration of a classic without having read the material. That's not very professional. I'll help you out immediately. Change the title from "Melancholic" to "Morning in a Pine Forest." I hope you have a 5th-grade command of your native language.
Zanzib, Well, you're taking on an illustration of a classic without having read the material. That's not very professional. I'll help you out immediately. Change the title from "Melancholic" to "Morning in a Pine Forest." I hope you have a 5th-grade command of Native Speech.
Viktor Kirillov, .. oh my god, change the title? Maybe just change it to "Morning of the Streltsy Execution"?
Viktor Kirillov, .. oh my god, change the title? Maybe just go straight to "The Morning of the Streltsy Execution"?
Zanzib, The title should match the plot; where's the execution? "Boyarynya Morozova" would also work. Anyway, think about it, you can't treat classics so frivolously.
Zanzib, The title should match the plot. Where's the execution? "Boyarynya Morozova" would be fine, but think about it. You can't treat classics so lightly.
Viktor Kirillov, do you think my title doesn't match the plot?
Viktor Kirillov, do you think my title doesn't match the subject matter?
Zanzib, The title is good, we can keep it. We're changing the subject matter. Write it down. Cut the canvas to the left, making the aspect ratio 1:1, with a wide gold frame around the perimeter. Use an eyedropper to sample the color (upper right corner) and, with a wide, flat brush (flute), evenly coat the canvas without gaps or drips. It's best to use quick-drying paint like PF 115 or NC 132. Leave it in the sun until completely dry, then display it in an art gallery. That's it...
Zanzib, The title is good, we can keep it. We're changing the subject. Write it down. On the left, cut the canvas down to the hand, making the aspect ratio 1:1, with a wide gold frame around the perimeter. Use an eyedropper to sample the color (upper right corner) and, with a wide, flat brush (flute), evenly coat the canvas without gaps or drips. It's best to choose quick-drying paint like PF 115 or NC 132. Leave it in the sun until completely dry, then display it in an art gallery. That's it...
Zanzib, Did she pose everywhere, in the bathhouse "Russian Venus", on the featherbeds "Beauty 1915", or did he have other muses?
Viktor Kirillov, not everywhere, but only once. There is, however, a rather independent sketch for the painting, in which the baroness's shoulders are narrower... and his models were various citizens... A friend of mine, an artist, knew the one who posed for Venus; she was his neighbor in a communal apartment in Peterhof, the little old woman in the photograph...
A friend of mine, an artist, knew Venus; she was his neighbor in a communal apartment in Peterhof, the little old lady in the photo.[/quote] Zanzib, I envy you, you live in the cultural capital. You can easily spot Venus in your communal kitchen.
Viktor Kirillov, in this sense, it’s true – you can meet anyone on the street, but that was before, during the USSR, now famous people don’t walk, they hide in cars...
Zanzib, I envy your fans!... I'm worse at it, but they also shit...
Introvert (C), yes, it's a medical fact, plus-size women in the nude usually attract public attention... They also often write in private messages wanting to get a model's address...) But Mr. Meremyanin is also messing with your brain, I saw...)
Introvert (C), yes, it's a medical fact, plus-size women in the nude usually attract public attention... People often write me private messages wanting to get a model's address...) But Mr. Meremyanin is also rosinizing your brain, I've seen it...)
Zanzib, You're mistaken, my dear. Regarding rosin, it was whittled from a birch log, and with a cleaver at that))))
Introvert (C), yes, it's a medical fact, plus-size women in the nude usually attract public attention... I also often get private messages from people wanting to get a model's address...) But Mr. Meremyanin is also messing with your brain, I saw...)
Zanzib, come on, what a memory you have! That individual hid from me behind the bathhouse about seven years ago, maybe more... Now the new coming of the "messiah" has arrived, I'm tired of laughing...
Evgeny Ermakov, how can you recommend a color without knowing what it was? And it wasn't very good, to be honest... - ugly, inappropriate combinations, confusion and hesitation, take my word for it... And I had neither the energy nor the opportunity to choose a color that would suit me... nothing... Just recently I saw an old interview with German, where he went on about color, saying that color would have tripled the production costs of his films!
I was very happy, because it turned out that my opinion on color, as an amateur, coincided with that of a genius.
Evgeny Ermakov, how can you recommend a color without knowing what it was like? And it wasn't very good, to be honest... - ugly, inappropriate combinations, confusion and hesitation, take my word for it... And I had neither the energy nor the opportunity to choose a color that would suit me... nothing... Just recently saw an old interview with German, where he went on about color, saying that color would have tripled the production costs of his films!
I was very happy, because it turned out that my opinion as a color enthusiast coincides with that of a genius...)
Zanzib, My God, do you know who you're telling such artistic subtleties to? I can't see what kind of crap this vulgarian is writing because of the ban, but you are a very polite and tolerant person.
Zanzib, Lord, do you know who you're telling about such artistic subtleties? I can't see what kind of crap this vulgarian is writing because of the ban, but you're a very polite and tolerant person.
Viktor Kirillov, I'm putting a lot of effort into this, thank you for appreciating it.
Evgeny Ermakov, how can you recommend a color without knowing what it was like? And it wasn't very good, to be honest... - ugly, inappropriate combinations, confusion and hesitation, take my word for it... and I had neither the energy nor the opportunity to choose a color that would suit me... nothing... Just recently I saw an old interview with German, where he talked about color, saying that color would have tripled the production costs of his films!
I was very happy, because it turned out that my opinion as an amateur on color coincides with that of a genius...)
Zanzib, I just assumed. I use this technique myself when I say, "but it wasn't very good, to be honest..." I'm talking about color too.
Come on, you're flattering me! It's Kustodiev who's depicted in all the primers. Tell me, is the samovar from Tula or a Lend-Lease Chinese one?
Look at your granddaughter, do you even have a granddaughter?
Well, you're taking on an illustration of a classic without having read the material. That's not very professional. I'll help you out immediately. Change the title from "Melancholic" to "Morning in a Pine Forest." I hope you have a 5th-grade command of your native language.
The title should match the plot; where's the execution? "Boyarynya Morozova" would also work. Anyway, think about it, you can't treat classics so frivolously.
The title is good, we can keep it. We're changing the subject matter. Write it down. Cut the canvas to the left, making the aspect ratio 1:1, with a wide gold frame around the perimeter. Use an eyedropper to sample the color (upper right corner) and, with a wide, flat brush (flute), evenly coat the canvas without gaps or drips. It's best to use quick-drying paint like PF 115 or NC 132. Leave it in the sun until completely dry, then display it in an art gallery. That's it...
Did she pose everywhere, in the bathhouse "Russian Venus", on the featherbeds "Beauty 1915", or did he have other muses?
Here you go... I'll give you a detailed color sample, with a PVU pipette.
So you have a different title, "The Melancholic Baroness"
Zanzib,
I envy you, you live in the cultural capital. You can easily spot Venus in your communal kitchen.
But Mr. Meremyanin is also messing with your brain, I saw...)
And it wasn't very good, to be honest...
- ugly, inappropriate combinations, confusion and hesitation, take my word for it...
And I had neither the energy nor the opportunity to choose a color that would suit me... nothing...
Just recently I saw an old interview with German, where he went on about color, saying that color would have tripled the production costs of his films!
I was very happy, because it turned out that my opinion on color, as an amateur, coincided with that of a genius.